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Thanks for offering this item at such a good price. Proved handy in identifying the part I was looking for my set.
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Thr Video Recorder i have is quiet Old and the Producer could Not help me. So i w as very glad to find an offer for the owners Manual for a very fair Price.a I obtained the original Manual very quick and I am happy to have it now.
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The PDF copy was immediately available on download after the payment. However, I noticed that the document was in German, and Ihad to contact a German translator to get it translated it to English. The quality of document is legible can be used for my purpose.
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The manual was complete and of great quality. Originally a tri-lingual file, I first received only one language. After a note to owners-manuals.com, I quickly received the remaining languages... Great service, definitely worth it.
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Thank you for providing this manual and at low cost.
The Philips scope is of excellent quality, longevity and build and had a couple of faults
when it was passed to me. Having the CCT diagrams is a blessing.
I have fixed the problems and also modded the scope to my requirements.
I have built a 24v Li-Ion pack for portable use from old but good laptop batts.
it is working beautifully and I am well pleased. Keep up the good work Guys.
3 Anwendung
Um den �richtigen� Sound zu finden, müssen Sie in jedem Fall mit der Mikrofonaufstellung experimentieren. Hinweise dazu finden Sie in den folgenden Kapiteln. Beachten Sie, dass bei geringen Abständen zwischen Instrument und Mikrofon die Bässe stärker betont werden (�Naheffekt�) 3.1 Saxophon
Abb. 4: Mikrofonaufstellung für Saxophon Wenn Sie das Klappengeräusch als charakteristisch für den Saxophonklang oder das Musikstück empfinden, richten Sie das Mikrofon auf die Mitte des Instruments. Erscheinen Ihnen die Klappengeräusche jedoch als störend, richten Sie das Mikrofon auf den vorderen äusseren Rand des Schallbechers. Wenn Sie das Mikrofon in den Schallbecher hinein zeigen lassen, werden Sie einen hohen Anteil an Luftgeräuschen erhalten. Der optimale Mikrofonabstand beträgt 20 bis 30 cm. Auf der Bühne müssen Sie eventuell näher zum Mikrofon gehen (bis 5 cm), um Rückkopplungen und �bersprechen von anderen Instrumenten zu vermeiden. Achten Sie in diesem Fall besonders darauf, nicht direkt in das Mikrofon zu blasen. 6
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