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Please tell us what you think and share your opinions with others. Be sure to focus your comments on the product. You will receive $2.00 of store credit for Your review.
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Please tell us what you think and share your opinions with others. Be sure to focus your comments on the product. You will receive $2.00 of store credit for Your review.
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Good copy and great customer service! There was some confusion with my order and it was resolved promptly!
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Having bought a pre-owned Sony FM stereo tuner through eBay, it came without any manuals. It soon became clear that to get the best from this excellent tuner I needed a decent manual because much of the operation was not intuitive to a newboy to hi fi like me. I managed to download the official Sony multi-lingual manual from Owner-Manuals.com with no problem at all - a really quick and easy service. I'm very glad I did because I found out all the operations of the tuner and was then able to not only set it up quickly but also to get much more from it that poke-and-hope trialling would ever achieve. In my book $4.99 very well spent.
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This manual is immaculate in it's accuracy. Everything is written very clearly and easy to understand. Written by a professional who wants to convey a clear and easy to understand message!!
3 Anwendung
Um den �richtigen� Sound zu finden, müssen Sie in jedem Fall mit der Mikrofonaufstellung experimentieren. Hinweise dazu finden Sie in den folgenden Kapiteln. Beachten Sie, dass bei geringen Abständen zwischen Instrument und Mikrofon die Bässe stärker betont werden (�Naheffekt�) 3.1 Saxophon
Abb. 4: Mikrofonaufstellung für Saxophon Wenn Sie das Klappengeräusch als charakteristisch für den Saxophonklang oder das Musikstück empfinden, richten Sie das Mikrofon auf die Mitte des Instruments. Erscheinen Ihnen die Klappengeräusche jedoch als störend, richten Sie das Mikrofon auf den vorderen äusseren Rand des Schallbechers. Wenn Sie das Mikrofon in den Schallbecher hinein zeigen lassen, werden Sie einen hohen Anteil an Luftgeräuschen erhalten. Der optimale Mikrofonabstand beträgt 20 bis 30 cm. Auf der Bühne müssen Sie eventuell näher zum Mikrofon gehen (bis 5 cm), um Rückkopplungen und �bersprechen von anderen Instrumenten zu vermeiden. Achten Sie in diesem Fall besonders darauf, nicht direkt in das Mikrofon zu blasen. 6
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