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Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
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This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
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Good list of manuals. I found a very rare one and easily get. Should be promptly to download, as we must to wait hours even after confirmed payment.
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The manual was properly scanned and perfectly readable. The only small problem is that I couldn't use my dear Ctrl + F to find a word I needed.
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Nothing wrong with the manual or the delivery - came to me the same day I ordered it. But afterwards I realized that I ordered the wrong manual. Probably better with the Quick start - version. So maybe it would be better if we could see a list with inhold for each manual before ordering?
Model 588SDX User Guide
2. Locate the microphone as close as practical to the desired sound source for the best gain before feedback. 3. When extra bass response is desirable, work close to the microphone. See Figure 1 for the close-up increase in low frequency output called �proximity effect�. 4. Do not pick up the same sound source with more than one microphone. Keep the distance between multiple microphones at least three times the distance from each source to its intended microphone. 5. Use the fewest microphones practical for the particular application. 6. Locate microphones as far as possible from acoustically reflective (hard or smooth) surfaces. 7. Add an external windscreen when additional pop protection is needed: outdoors in windy conditions or for closeup vocal use. 8. Avoid excessively handling the microphone to minimize mechanical noise pickup. 9. To preserve directional characteristics, do not obstruct the grille with your hand.
MODEL 588SDX
UNIDIRECTIONAL DYNAMIC MICROPHONE
The Model 588SDX is a ball-type, dual-impedance, cardioid (unidirectional) dynamic microphone that provides excellent voice reproduction. Its spherical grille is a very effective wind and pop filter which is especially good when used for closeup vocal miking. This microphone is highly suited for speech or music pickup in schools, churches, and meeting rooms. Its unidirectional polar pattern greatly reduces feedback problems, permitting operation closer than usual to loudspeakers without the annoying squeal or howl caused by feedback. The microphone is equipped with a lockable ON/OFF switch and an internal impedance selection socket located on the XLR connector for switching between high and low impedance. A slip-in swivel adapter is supplied for the convenience of stand-mounted use.
SPECIFICATIONS
Type Dynamic (moving coil) Frequency Response 80 to 15,000 Hz (see Figure 1)
Features
� � � � � � � � � � � Controlled low-frequency response combined with a smooth high-frequency rise for clear and intelligible voice pickup Symmetrical cardioid pickup pattern minimizes feedback Spherical grille provides effective filtering out of breath noise and popping when used for closeup vocals, and of wind noise when used outdoors Neodymium magnet for high signal-to-noise ratio Shock-mounted cartridge for quiet operation and low stand/ handling noise Lockable ON/OFF switch Dual impedance selectable by internal socket Break-resistant, slip-in swivel adapter for stand-mounted use Three-pin professional audio (XLR) connector Tough, steel-mesh grille resists wear from constant use and handling; die-cast handle Field serviceable and backed by the Shure 2-year warranty
1 cm
.6 m
TYPICAL FREQUENCY RESPONSE FIGURE 1 Polar Pattern Cardioid (unidirectional) symmetrical about axis (see Figure 2)
150o 120o 90o 60o 30o 180o
150o
150o 120o 90o 60o 120o 90o 60o 30o
180o
150o 120o 90o 60o 30o
�20 dB �15 dB �10 dB �5 dB 30o 0 250 Hz 500 Hz 1000 Hz
�20 dB �15 dB �10 dB �5 dB 0 2500 Hz 6400 Hz 10000 Hz
BASIC RULES FOR MICROPHONE USE
1. Aim a directional microphone toward the desired sound source (for instance, a talker or singer) and away from undesired sources (such as loudspeakers).
TYPICAL POLAR PATTERNS FIGURE 2
©2005, Shure Incorporated 27D2837 (Rev. 5)
Printed in U.S.A.
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