|
|
|
Categories
|
|
Information
|
|
Featured Product
|
|
|
 |
|
|
There are currently no product reviews.
 ;
helpful manual.good service.Quick response.will use again
 ;
Speedy confirmation to my order , with elaborate instructions .
Item Email , received immediately as desired by me.
A Pleasant & Satisfying Transaction.
;
I was searching for this manual at last i got it from this web
;
What can i say but i would have been lost without your support.
Thank You!
;
Très satisfait ! envoi rapide, Grand catalogue disponible. Many thanks !
COMP
Want to play a clean passage that needs to be nice, smooth, and even? Need a bit more sustain on a lead line? Then look no further; COMP is the effect for you. It�s modeled on a compressor pedal that is hugely popular due to the percussive clean sound it can produce � making it perfect for �80s and �90s pop and funk rhythm work. It can also add a singing, mellow, sustain to lead lines � clean or dirty. EDIT1 �SENS� Adjusts the sensitivity of the compressor. Turning the knob toward the right will increase the amount of compression and sustain. If you turn the knob all the way to the left, the effect is OFF. Adjusts the strength of the attack.
EDIT2[TAP+EDIT 1]�ATTACK�
HINT: In the COMP+PHASER and COMP+CHORUS combination effects, the ATTACK parameter is already set to the optimal value.
PHASER
A model of a much respected and popular analogue phaser, housed in a banana yellow box! TAP �SPEED� Sets the modulation speed in a range of 0.1...10 [Hz]. EDIT2 �SPEED� This lets you use the knob to make �ne adjustments [TAP+EDIT 1] to the parameter. EDIT3 �RESONANCE� Adjusts the amount of resonance. [BYPASS+EDIT 1]
CHORUS
This models the rich sound of an analog chorus unit. TAP EDIT2 [TAP+EDIT 1] �SPEED� �SPEED� Sets the modulation speed in a range of 0.1...10 [Hz]. This lets you use the knob to make �ne adjustments to the parameter.
HINT: In the CHORUS+DELAY combination effect, the SPEED parameter is already set to the optimal value.
EDIT3 �MIX� [BYPASS+EDIT 1]
Adjusts the mix amount of the effect.
24
|
|
|
> |
|
