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Thank´s for your help, I already recived these manual from you
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Thank you for your manual It has the basic things to and i use the Oszi for Longer Time.
THX
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Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
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This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
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Good list of manuals. I found a very rare one and easily get. Should be promptly to download, as we must to wait hours even after confirmed payment.
Operating the CL7
Powering the CL7 The CL7 is a condenser microphone and therefore needs to be operated by connecting a phantom power supply. Phantom power is standard on most quality mixers, outboard mic-pres and hard disk recorders. If necessary, an external phantom supply can also be used. The CL7 receives the phantom power directly from a mic cable when connected to a mixer or other microphone input that includes a phantom supply. The power is sent OUT of the microphone INPUT, riding silently along with the audio signal. (Fairly mysterious, eh?) Most mixers have a switch to engage the phantom power so be sure to check that the phantom power is on.
Setting Up the Signal Level When connecting the CL7 to a mixer or recorder input, be sure that the input is of microphone level. Also, be sure that the phantom power is engaged as explained the previous section �Powering the CL7�. Most mixers and recorders of reasonable quality will offer a microphone input with mic trim (usual called Trim or Gain) control. The purpose of the mic trim control is to optimize the amount of good signal to any noise associated with the mixers electronics. A good mic pre with trim also will have a PEAK or CLIP LED. To set a good level on the mic, set the CL7 up in front of the desired sound source and slowly raise the mic trim control until you see the PEAK LED light up. Then, turn the mix trim control down until the LED does not light any more. On most mixers, the ideal setting is that the trim control is turned up as much as possible without lighting the PEAK LED.
1 Using the PAD Switch
The CL7 includes a PAD switch, which you can use to lower the input sensitivity of the microphone. When the PAD switch is set to the 0dB position the PAD is by-passed and there is no effect on the signal. When the PAD switch is set to the �10dB position, the microphone�s input sensitivity will be lowered by 10dB. You can use the PAD when you are miking loud sound sources with a high SPL (Sound Pressure Level).
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