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There are currently no product reviews.
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Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
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This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
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Good list of manuals. I found a very rare one and easily get. Should be promptly to download, as we must to wait hours even after confirmed payment.
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The manual was properly scanned and perfectly readable. The only small problem is that I couldn't use my dear Ctrl + F to find a word I needed.
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Nothing wrong with the manual or the delivery - came to me the same day I ordered it. But afterwards I realized that I ordered the wrong manual. Probably better with the Quick start - version. So maybe it would be better if we could see a list with inhold for each manual before ordering?
Mikrofon platzieren
Snare, Trommel und Percussion
Positionierung Klangresultat viel Grundton, wenig Obertöne Kommentar Positionierung an der Trommel: 3 - 5 cm über dem Fell, Ausrichtung zur Fellmitte, Verhältnis Grundton zu Obertönen lässt sich mit dem Winkel einstellen.
wenig Grundton, viel Obertöne
Snare-Abnahme mit zwei Mikrofonen
Positionierung Kommentar Verwendung eines zweiten Mikrofons zur Abnahme des Resonanzfells. Bei einem Mikrofon evtl. Phasendrehung aktivieren.
Um Störungen durch �bersprechen von benachbarten Schallquellen zu vermeiden, versuchen Sie, das Mikrofon so zu positionieren, dass die Störschallquelle im Winkelbereich der grö�ten Auslöschung des Mikrofons liegt (ca. 135°).
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