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This is one of four manuals I have downloaded recently.
Purchase was very straight forward and the authorising email arrived in about 4 hours.
The quality of the scan is good. Print is clear and square to the page edges.
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Exactly as advertized. High quality digital copy of the Nak 610 user manual. Easy download and access. Highly recommended.
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The manual was exactly what I wanted and I found it nowhere else. Thanks!
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Having purchased a 1994 Kenwood music system from a Charity shop in 2013 (it was a high end product in its day), I found myself not quite knowing where to plug in what, and how to do this, that and the next thing. I needed a Manual, and after failure with another online 'Manual provider' I found Owner Manuals dot com. Well, I wasn't sure, but it was only $5, and if things didn't work out, I wouldn't have lost much...
But things DID work out. After paying my childrens inheritance money, $4.99, I was sent a Manual for my Kenwood System very quickly. Alas, it was in German, and being Scottish, I could not read it or get my system in order from it...a rapid email to them brought the English Manual in short order, and my retro-system was and IS up and running in it's regulation settings.
I am very grateful to http://www.owner-manuals.com for their quick service and for even having such an obsolete Manual in the first place! If you need a Manual for ANYTHING, try here first. I wouldn't be surprised if I bought a 1928 Marconi radio, and got the user Manual for THAT here too!
Top marks.
John Copeland
Glasgow
Scotland
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I was so happy that the owner's manual was available. It is well written and helped me to use the radio/CD player/recorder without problems. Thanks for making it available.
Irene Lambert
V-Accordion r Treble Octave Tx
Treble Octave Tx
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the Treble
Orchestra TX/RX Channel
trO
(Off, 1~16, Default setting: 3) This parameter allows you to define the MIDI channel for the Treble Orchestra part.
OrC
section up to three octaves up or down. This can be used for songs where an accordion register of the Treble section (for example) should be doubled by a piccolo flute played by an external module whose notes would be far too low if they were used as is. As stated above, each MIDI note has a unique number. This parameter allows you to add (or subtract) 12 (�1� octave), 24 (�2� octaves) or 36 (�3� octaves) to (from) the note numbers generated by your playing.
Note: �TX� means that this parameter only applies to the note messages transmitted to external devices. Messages the FR-3 receives from another device are not affected by it.
The assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�.
Orchestra Octave TX
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the Orchestra section.
Note: �TX� means that this parameter only applies to the note messages transmitted to external devices. Messages the FR-3 receives from another device are not affected by it.
OrO
Bass/Free Bass TX/RX Channel
(Off, 1~16, Default setting: 2) This parameter allows you to define the MIDI channel for the bass buttons or Free Bass (accordion) section, depending on which mode is
bFr
Orchestra Bass TX/RX Channel
currently active. The assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�. Select �Off� if the Bass or Free Bass section should neither receive nor transmit MIDI data.
Note: Though it is perfectly possible to assign the same MIDI channel to several sections, the result is usually disappointing and may lead to a lot of confusion.
(Off, 1~16, Default setting: 5) This parameter allows you to define the MIDI channel for the ORCH BASS part. The
Obs
assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�.
Orchestra Bass Octave TX
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the ORCH BASS part.
ObO
Bass/Free Bass Octave TX
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the bass
bfO
Orchestra Chord TX/RX Channel
buttons or Free Bass section up to three octaves up or down.
(Off, 1~16, Default setting: 6) This parameter allows you to define the MIDI channel for the ORCH CHORD part. The
OCH
Chord TX/RX Channel
(Off, 1~16, Default setting: 3) This parameter allows you to define the MIDI channel for the chord buttons when
CHd
assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�.
they are used to play the selected accordion register. The assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�.
Note: Though it is perfectly possible to assign the same MIDI channel to several sections, the result is usually disappointing and may lead to a lot of confusion.
Orchestra Chord Octave TX
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the ORCH CHORD part.
OCO
Orchestra Free Bass TX/RX Channel
(Off, 1~16, Default setting: 7) This parameter allows you to define the MIDI channel for the ORCH FREE BS part. The
Ofb
Chord Octave TX
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the chord buttons up to three octaves up or down.
CHO
assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�.
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