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Great price, Quick delivery, the document was very usefull A+++++++++++++++
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Thank´s for your help, I already recived these manual from you
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Thank you for your manual It has the basic things to and i use the Oszi for Longer Time.
THX
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Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
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This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
GTX120/212 Guitar Amplifier DSP & Channel Tracking
The Front Panel:
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1: INPUT: Use this 1/4� jack to connect your guitar to the amplifier by means of a shielded instrument cable. RHYTHM/SOLO CHANNEL: A high gain channel giving you sounds from a slight edge to serious overdrive. 2: RHYTHM GAIN 1: Use this control to adjust the amount of light distortion for the Rhythm/Solo channel. Gain 1 produces less intense distortion than Gain 2 (#3) and is active when the Rhythm/Solo Gain switch (#5) is in the out position. 3: SOLO GAIN 2: Use this control to adjust the amount of heavy distortion for the Rhythm/Solo channel. Gain 2 produces more intense distortion than Gain 1 (#2) and is active when the Rhythm/Solo Gain switch (#5) is depressed. 4: SHAPE: Use this control to �dial in� the tone for the Rhythm/Solo channel when Gain 2 is selected. Rotating the control counterclockwise enhances the mid frequencies, while rotating the control clockwise enhances the low and high frequencies. 5: RHYTHM/SOLO SWITCH: Use this switch to select which gain control is active for the Rhythm/Solo channel. With the switch in the out position, Gain 1 (Rhythm) is selected. When the switch is depressed, Gain 2 (Solo) is selected. 6: LOW: Use this control to adjust the low frequency level of the Rhythm/Solo channel. 7: HIGH: Use this control to adjust the high frequency level of the Rhythm/Solo channel. 8: LEVEL: Use this control to adjust the output level of the Rhythm/Solo channel. 9: CHANNEL SWITCH: Use this switch to select the desired channel. With the switch in the out position, the Clean channel is selected. When the switch is depressed, the Rhythm/Solo channel is selected. CLEAN CHANNEL: A normal gain channel designed to give you sounds from crystal clear to medium distortion. 10: LEVEL: Use this control to adjust the output level of the Clean channel. 11: LOW: Use this control to adjust the low frequency level of the Clean channel. 12: MID: Use this control to adjust the midrange frequency level of the Clean channel. 13: HIGH: Use this control to adjust the high frequency level of the Clean channel. 14: DSP LEVEL: Use this control to adjust the amount of digital effect: in its fully counterclockwise position the signal will be �dry� (without any effect). As you rotate the control clockwise the amount of effect increases. 15: DSP MODE: Use this control to select one of the 16 built-in digital effects. The effects are shown on page 3.
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