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This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
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Good list of manuals. I found a very rare one and easily get. Should be promptly to download, as we must to wait hours even after confirmed payment.
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The manual was properly scanned and perfectly readable. The only small problem is that I couldn't use my dear Ctrl + F to find a word I needed.
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Nothing wrong with the manual or the delivery - came to me the same day I ordered it. But afterwards I realized that I ordered the wrong manual. Probably better with the Quick start - version. So maybe it would be better if we could see a list with inhold for each manual before ordering?
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Bought T4850 High End Tuner a few years ago, but i didn't know where all the buttons were used for. So i purchased the owners manual. Perfect! Just what i needed.
GX-900H/GX-2200H Guitar Amplifiers
by
The Front Panel:
18 17
3 2 1 0 10
16 15 14 13 12 11 10 9 8
4 5 6 73 82 91 0 10 4 5 6 7 8 9 3 2 1 0 10 4 5 6 73 82 91 0 10 4 5 6 73 82 91 0 10 4 5 6 73 82 91 0 10 4 5 6 7 8 9 3 2 1 0 10 4 5 6 73 82 91 0 4
7
5 6 73 82 91 10 0 4
6
5 6 73 82 91 10 0 4
5
5 6 73 82 91 10 0 4
4
5 6 7 8 9 10
32
4 3 2 1 0 10 5 6 7 8 9
1
Footswitch
Channel B
Channel A
Level
High
Mid
Low
Level
High
Mid
Low
Gain Two
Gain One
Input
1. INPUT: Accepts the mono 1/4� plug of the signal cable from your guitar or wireless receiver. CHANNEL A, the distortion channel: 2. GAIN ONE: Sets the signal gain for the distortion channel, thus controlling the amount of distortion. Serves as the �low to medium distortion control;� accessible through the gain select switch (#3) or a footswitch. Gives you sounds from nearly clean to really crunchy. 3. GAIN SELECT: Switches between the two gain controls (#2, 4). Switch in, gain two is selected (gain one is disabled) � both LEDs light. Switch out, gain one is selected � only the LED under the word �one� lights. When a footswitch is used, this switch doesn�t do anything, but the LEDs work the same. 4. GAIN TWO: Also sets the gain for the distortion channel. Serves as the �low to high distortion control,� also accessible through the gain select switch (#3) or a footswitch. Gives you sounds from nearly clean to screaming dirty. Acts as a third channel: set gain one for a rhythm crunch, set gain two for screaming leads. Be more creative, more expressive; have more fun! 5. LOW: Sets the level of the lower frequencies for the distortion channel. Offers a range of 18 dB at 100 Hz.
6. MID: Sets the level of the middle frequencies for the distortion channel. Offers a range of 10 dB at 1 kHz. 7. HIGH: Sets the level of the upper frequencies for the distortion channel. Offers a range of 17 dB at 6 kHz 8. LEVEL: Controls the overall volume level for the distortion channel. 9. CHANNEL SELECT: Switches between the clean channel (switch out, LED on) and the distortion channel (switch in, LED off). When a footswitch is used, this switch doesn�t do anything. CHANNEL B, the clean channel: 10. LOW: Sets the level of the lower frequencies for the clean channel. Offers a range of 25 dB at 70 Hz. Lets you fatten up the bottom end of your sound. 11. MID: Sets the level of the middle frequencies for the clean channel. Offers a range of 14 dB at 800 Hz. Lets you create sounds from �in the distance� to �in your face.� 12. HIGH: Sets the level of the upper frequencies for the clean channel. Offers a range of 29 dB at 10 kHz. Lets you add brilliance and crystal clear highs to your sound. 13. LEVEL: Controls the overall volume level for the clean channel.
14. BRIGHT: Boosts the upper frequencies when pressed in. Adds a brightness to the sound. Off in the out position. 15. REVERB, CHANNEL A: Sets the amount of reverb effect applied to channel A. Turned all the way to the left (�0�) the signal is �dry� (no reverb). Turning it towards the right increases the wetness (amount of reverb) of the signal. 16. REVERB, CHANNEL B: Sets the amount of reverb effect applied to channel B. Turned all the way to the left (�0�) the signal is �dry� (no reverb). Turning it towards the right increases the wetness (amount of reverb) of the signal. 17. FOOTSWITCH: Accepts the stereo 1/4� plug from a two-button footswitch (such as Crate�s CFP-2) for remote channel switching and switching between gain one and gain two on channel A. Ring controls channel selection, tip controls the gains. With a footswitch plugged in, the front-panel switches #3 and #9 don�t do anything. 18. POWER: (not shown): Turns the amp on and off, �on� being the UP position. The ON LED next to the Excalibur logo lights when the amp is turned on.
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