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This manual is very good. 303 pages scanned in a very high resolution. My camera has bad, leaking capacitors which all of the V5000 models are suffering from these days.
There is a huge part list with all capacitors, transistors etc. in this manual which helped me a lot. Otherwise I would not have been able to buy replacement parts.
The dissassembly guide is very enormous and detailed. Unlike on the Panasonic MS1 manual I downloaded here it actually looks like the real parts look. And the screws are labeled correctly, so you shouldn't have any left after the repair. ;)
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has all the schematics you could need,and very well laid out format also has all part numbers along with an exploded view which is helpful
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Very nice to have! Now it is no problem to understand how it is put together.
Helps me a lot.
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good scans, all is clear. all pages in order. recommended
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Très-très bon site, facile, très bon prix.
Au futur besoin, je n’hésiterais à faire appel à vous.
Merci
Amplifier/Subwoofer
HPS500 CONNECTIONS Continued...
HPS500
If you have a Dolby Digital or DTS� receiver/processor with a low-frequency-effect (LFE) output: NOTE: In this case, you do not need to use a Y connector: Simply connect the LFE output on your receiver/processor to either the left or right input on the subwoofer:
LOW LEVEL OUT LOW LEVEL IN
SUBWOOFER OR LFE OUTPUT
L
HIGHPASS OUTPUT
120Hz 160Hz 80Hz
R
If your receiver/amplifier has preamp output jacks and main input jacks for the left and right channels or you have a separate preamp/processor and power amplifier: This method of hookup can offer the highest level of performance for your complete loudspeaker system. Your subwoofer incorporates an adjustable high-pass crossover in addition to a variable low-pass crossover. When hooked up as shown on the right, the subwoofer will limit the low-frequency information that is returned to your receiver/amplifier. Your receiver/amplifier does not need to waste valuable power reproducing the low frequencies. In addition, since no low-frequency information is being sent to your main loudspeakers, they are able to reproduce mid and high frequencies with greater clarity.
LOW LEVEL OUT
LOW LEVEL IN
HIGHPASS OUTPUT
160Hz 80Hz 120Hz
L R
RECEIVER/AMPLIFIER OR PROCESSOR/AMPLIFIER
PRE OUT LEFT MAIN IN RIGHT LOUDSPEAKER
RIGHT
MAIN SPEAKER OUTPUT RIGHT LEFT LEFT LOUDSPEAKER
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