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Thank´s for your help, I already recived these manual from you
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Thank you for your manual It has the basic things to and i use the Oszi for Longer Time.
THX
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Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
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This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
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Good list of manuals. I found a very rare one and easily get. Should be promptly to download, as we must to wait hours even after confirmed payment.
Rear Panel
Designed and Engineered in the U.S.A. by Fishman Transducers, Inc. Assembled in China
Channel 2
Tuner Out Mix D.I. (Post) Effects Return Effects Send D.I. Out (Pre)
Effects Return
Channel 1
Effects Send
D.I. Out (Pre)
Mute Foot Switch
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1. Mute Foot Switch Plug a mono, on/off Foot Switch into this jack for remote access to the Mute. . The Mute Footswitch overrides the front panel Mute switch. 2. Tuner Out Plug in an electronic tuner here. This output receives only the Channel 1 signal and is independent of the mute, so you can tune with the speakers and the XLR outs muted. The Tuner Out can also be used as pre-EQ unbalanced D.I. out for Channel 1. 3. Mix D.I. (Post) Plug in here when you wish to send signals from both Channel 1 and 2 to a mixing console or a slave amplifier. This post-EQ output is always ground isolated to prevent ground loop hum. 4. Channel 2 Effects Loop (serial) Patch an external effect (delay, reverb, chorus) through these jacks. Use a standard 1/4-inch shielded instrument cable to connect the Channel 2 send to the input of the effect. Connect the Channel 2 return jack to the output of the effect. The Channel 2 loop is located post-EQ and is compatible with battery-operated stompbox-style effects processors. 5. Channel 2 D.I. Out (Pre) You�ll find that this true direct output produces an uncolored signal that is exceptional for recording. Use this output when you want a flat D.I. signal to go to the board. In this case you leave it to the soundperson or recording engineer to dial up your tone and effects from the console. This pre-EQ output is always ground isolated to prevent ground loop hum. 6. Channel 1 Effects Loop (serial) Patch an external effect (delay, reverb, chorus) through these jacks. Use a standard 1/4� shielded instrument cable to connect the Channel 1 send to the input of the effect. Connect the Channel 1 return jack to the output of the effect. The Channel 1 loop is located post-EQ and is compatible with battery-operated stompbox-style effects processors. 7. Channel 1 D.I. Out (Pre) You�ll find that this true direct output produces an uncolored signal that is exceptional for recording. Use this output when you want a flat D.I. signal to go to the board. In this case you leave it to the soundperson or recording engineer to dial up your tone and effects from the console. This pre-EQ output is always ground isolated to prevent ground loop hum.
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