|
|
|
Categories
|
|
Information
|
|
Featured Product
|
|
|
 |
|
|
There are currently no product reviews.
 ;
Thank´s for your help, I already recived these manual from you
 ;
Thank you for your manual It has the basic things to and i use the Oszi for Longer Time.
THX
 ;
Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
 ;
This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
 ;
Good list of manuals. I found a very rare one and easily get. Should be promptly to download, as we must to wait hours even after confirmed payment.
be parallel to the record surface with the needle in the groove. Just unscrew the VTA-set screw (f) while supporting the arm with one hand, then slide the shaft (c) up or down until the armwand appears about parallel to the record with the �needle in the groove�. The fine adjustment has to be carried out using your ears. Raise or lower the arm by small increments until you have reached a position that combines precise placement of images with an effortless delivery of dynamic contrasts. Sibilants should come from the same position in space as the singer�s body. 4.5) Antiskating To compensate for the skating force turn the antiskating-adjustment-disc (a) counterclockwise to increase force (initially, several turns might be required!) and clockwise to reduce it. A good compromise will be achieved once mistracking occurs in both channels simultaneously while playing the tracking ability test tracks on the ORTOFON test record(0002 or 0003). In case you have no access to any such test record just put the diamond on the space between the leadout grooves (or a "blank� record, i.e. Cardas sweeper record) and adjust antiskating until the arm/cartridge combo wanders slowly towards the center of the record. From then on, use your ears... 4.6) Adjusting the gap between the magnets With a decent light source placed behind your record player it is easy to make out (and control) the gap between the magnets which facilitates friction-free movement of the tonearm. The distance between the magnets determines the effectiveness of damping both tonearm/cartridge resonance and "parasitic� energy, generated by the cartridge or the turntable. The smaller the gap the higher the damping and vice versa. The gap between the magnets is altered by first inserting a 1.5mm Allen key into the set screw that is sitting in the middle of disc (a). Once your Allen key caught the screw hold it steady while turning the disc clockwise to widen the gap or counterclockwise to close it. This sounds a lot more difficult than what it is.. The gap should be about 0.3mm wide, enough to allow for a common business card to be slid in without to much resistance. If the magnets were to touch each other during play the resulting friction would cause the cartridge to skip. The suspension thread used has an extremely high tensile strength, a very hard surface and will not deteriorate over time. It does stretch (break in) though over a period of no more than two weeks. Once it has set, only under extreme conditions (very high temperatures + high humidity) can the thread exhibit a tendency to "give� a little more. So check the gap after a summer thunder storm (no more stretching after three of those).. 4.7) Silicon damping or not The arm features the option to use silicon oil(i.e.SME2013) to dampen the tonearm resonance � predominantly in the axis of the armwand � resulting in a reduction of the
|
|
 |
> |
|