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The manual was complete and of great quality. Originally a tri-lingual file, I first received only one language. After a note to owners-manuals.com, I quickly received the remaining languages... Great service, definitely worth it.
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Thank you for providing this manual and at low cost.
The Philips scope is of excellent quality, longevity and build and had a couple of faults
when it was passed to me. Having the CCT diagrams is a blessing.
I have fixed the problems and also modded the scope to my requirements.
I have built a 24v Li-Ion pack for portable use from old but good laptop batts.
it is working beautifully and I am well pleased. Keep up the good work Guys.
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manual was very helpful in learning how to propery use my washer. I could not find this manual anywhere else.
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Awesome quality manual. You really saved my bacon with this one. Was looking for some specific information with regards to my "new" vintage VCR that didn't come with the owners manual. This site is truely a goldmine of available manuals. The quality of the scans are top notch.
Thank-you so much for this awesome manual. If you're looking for this Sony SL-HF400 owners manual, this is the one you NEED to buy. Definitely worth the money.
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The manual was made available promptly. I is a clean scan of the original. I had no problem downloading it. The scan was well centered and cleanly formatted. It is as good a product as can be had without being the original document.
23 Stereo AUX/Tape Returns to Master
U
24
TAPE IN
AUX 2
O O
+20 U
1
23
2
O O
+20
STEREO AUX RETURN TO MASTER
+22 +10 +7 +4 +2 0 -2 -4 -7 -10 -20 -30
U BAL. 0dBu CAL
CLIP
TRIM LINE IN 1-4 1-12
INPUT CH. METERING
These two controls set the overall level of effects received from STEREO AUX RETURNS 1 and 2. These controls are designed to handle a wide range of signal levels. There�s a detent at unity gain. Fully counterclockwise is OFF; fully clockwise gives you an extra 20dB gain to compensate for low-level effects. If you�re using digital effects with digital output level controls (see their manuals), you�ll get the best results by leaving the effect�s output fully up and running the STEREO AUX RETURN somewhere below Unity. If you�re using a digital effect with rotary controls, set the AUX RETURN for use at Unity Gain. If you�re using guitar-type effects, you�ll probably need to run this control above Unity. (That�s what the extra gain is for.) AUX RETURN 2 also controls the tape playback level when you push TAPE IN, explained below.
24 TAPE IN button (24)
When you press the TAPE IN button, signals from the TAPE INPUTs are sent into the AUX 2 Return. In this mode, the AUX 2 Return control adjusts the level sent to the master. It�s perfect for injecting just the right amount of weird sound effects you recorded on your cassette deck into a mix � or to play trendy background music through a PA during band breaks. WARNING: Pushing TAPE IN can create a feedback path between TAPE IN and TAPE OUT. Make sure your tape deck is not in record, record-pause or input monitor mode when you engage the TAPE IN switch. This concludes the guided tour. Now for the nitty-gritty hook-up.
U
O O
+10
O O
MASTER
PHONES
overall level of your mix. If the red CLIP lights are flashing, your levels are way too high. Do one of the following: � If you haven�t adjusted the Channel 1�4 TRIM pots properly, do that first (with the INPUT CH. METERING button IN). Instructions are on page 12. � If the LED�s are still running into the red with the INPUT CH. METERING button OUT, lower the level of the MASTER control. � If the red CLIP lights are still flashing, even momentarily, lower the Channel 5� 12 GAIN pots equally. This may also be caused by excessive gain settings in the EQ section. When recording, glance at the tape deck/ DAT meters frequently while mixing. Human ears get tired after a while � it happens to the best of us � and levels start to climb (the Mounting Mix Syndrome). Meters never get tired, and will show level accurately until the Great Fade Out.
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