|
|
|
Categories
|
|
Information
|
|
Featured Product
|
|
|
 |
|
|
There are currently no product reviews.
 ;
Absolutely perfect! I've been trying to understand how to use all or at least some of the features of the receiver and especially the remote.
;
Copy of genuine owners/operators manual, very useful
;
The manual was a perfect match and was exactly what I was looking for. I'm very satisfied with my purchase.
;
Thank you for having the manual I needed for an older model Aiwa stero I had found on Ebay --- I wanted the Aiwa because I had tapes and cd's but I did not have a manual as to how to operate the system... I found what I needed and it has enabled me to set the system up for my enjoyment.
;
I wished detailed information of the JBL S310 and here I found it! Very happy with the service from this site!
Basic Playback and Recording
Setting the Digital Recording Level
One of the advantages of digital-to-digital recording is that you don't have to set recording levels�and risk distortion by overloading the disc. If you're recording commercial material from CDs or other MDs, the digital level has already been optimized and you don't need to change it. If you're making a digital copy of a CD, DAT or MD that was not commercially produced and that was consistently under-recorded, you can boost the overall level by up to +12dB. Remember though, that any peaks in the original recording run the risk of distorting the copy. If you record digital satellite broadcasts, you may also have cause to boost the digital recording volume since the digital volume of some broadcasts is relatively low. Again, remember that if there are any peaks in the broadcast, you run the risk of momentary distortion. It's also possible to reduce the digital recording volume so that you end up with a recording that is quieter than the original. In most cases, this is not desirable since the recording quality will suffer very slightly. However, if you're putting together a mix CD (various tracks compiled from different sources), and there is a track which stands out as generally louder than the others (peak volumes are usually similar, but the average level of some recordings might be higher than others so they sound louder), then you might want to reduce the level of that track.
Note that this feature will not get rid of distortion on the source material.
You can adjust the digital recording volume while the unit is in monitoring mode, record-pause mode or while it is actually recording. Once changed, the new digital recording level remains until you change it again, or reset it. Each digital input has it's own level which can be set independently.
1
2
1
��B-.?/
INPUT SELECTOR
Press INPUT SELECTOR to choose one of the digital inputs.
Pressing INPUT SELECTOR repeatedly switches the active input: ANA (Analog) - OPT (Optical) - COA (Coaxial) The recorder's display indicates the current input.
MONITOR
TIME
2
3,4
DIGITAL REC LEVEL ANALOG REC LEVEL
2
If the recorder is stopped, press MONITOR or RECORD ¶ ( ¶ REC on the remote control).
If there is nothing connected to the selected digital input, the message
CAN NOT REC
appears in the display.
REPEAT
3
2
�
FADER FINALIZE REC
DIGITAL SYNCHRO AUTO/ MANUAL TRACK NO. WRITE
To display the current digital recording level, press the jog dial (DIGITAL REC LEVEL).
You can display the current digital recording level at anytime in monitor, record-pause, or recording mode. The level is displayed for about four seconds.
ERASE
7 1
INPUT SELECTOR
8 ¡
SKIP PLAY
3 4
SET
TIME
4
4
¢
Turn the jog dial or press 4 or ¢ on the remote control to adjust the recording level up or down.
y The maximum adjustment possible is between -48dB and +12dB. y From +12dB down to -25dB, adjustment is in steps of 1dB. Below
SKIP ID CLEAR
1
2
3
4
5
6
7
8
this, there are four preset levels: -30dB, -36dB, -42dB and -48dB.
y If you set the level at anything other than 0dB, the D.VOL indicator in
1
Digital volume level adjusted down 5 dB.
the display lights to remind you of the fact.
OPT
24
|
|
|
> |
|
