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Having purchased a 1994 Kenwood music system from a Charity shop in 2013 (it was a high end product in its day), I found myself not quite knowing where to plug in what, and how to do this, that and the next thing. I needed a Manual, and after failure with another online 'Manual provider' I found Owner Manuals dot com. Well, I wasn't sure, but it was only $5, and if things didn't work out, I wouldn't have lost much...
But things DID work out. After paying my childrens inheritance money, $4.99, I was sent a Manual for my Kenwood System very quickly. Alas, it was in German, and being Scottish, I could not read it or get my system in order from it...a rapid email to them brought the English Manual in short order, and my retro-system was and IS up and running in it's regulation settings.
I am very grateful to http://www.owner-manuals.com for their quick service and for even having such an obsolete Manual in the first place! If you need a Manual for ANYTHING, try here first. I wouldn't be surprised if I bought a 1928 Marconi radio, and got the user Manual for THAT here too!
Top marks.
John Copeland
Glasgow
Scotland
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I was so happy that the owner's manual was available. It is well written and helped me to use the radio/CD player/recorder without problems. Thanks for making it available.
Irene Lambert
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Excellant!!! Very quick and easy....Best $4.99 I have spent in a very long time..
I highly recommend this.
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Thanks so much for the Owner's manual for my Sony PS - FL1. I had purchased the turntable off of eBay. It came in and looked great. Packed well and appeared to be great. I balanced and aligned the tone are and hooked it up. When trying to play a record the tone are would move to the right place and just before it would drop to play it moved back off the edge of the record before touching down. I searched the net for an answer to this issue. No luck. Then I purchased the owners manual and sure enough there was a place to adjust where the stylus touched down. That adjustment solved the problem and saved me a $35 feet to have the player checked out. The manual is well written and easy to understand. It is a must have for anyone with this front loading Sony turntable.
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Some years back I pruchased a Sansui G-9000. I had it cleaned up and a problem with the left channel repaired. When I got it back I hooked it up to my tape decks, turn tables, TV and it played great. The only thing I was not really satisfied with was the performance of my Graphic Equalizer. I purchased this owner's manual had poured myself a cup of coffee. The manual is well organized and written in plain language. It also contained the solution to my dissatisfaction. By using the preamp connections coupled I was able to run everything through my graphic equalizer and now enjoy the full potential of my complete system.
Sampler functions
Recording samples NOTE for S1000PB users: The following sections do not apply to the S1000PB. Please ignore these sections, and resume at the section headed "SELECT SAMPLE (S1000PB only)" (page 49). When you start sampling, you must have a clean area of memory to do it, and enough memory to work in. In sampling, it is better to start with too much memory space than too little. You can always "top and tail" a sample later on, but you cannot create memory out of thin sir.
Restart your S1000. Press the EDIT SAMPLE button, and you are in a position to start recording and editing a blank sample, whose name defaults to "NEW SAMPLE". The first thing to do is to name the sample. Give it a meaningful name of up to 12 characters for a mono sample - 10 characters for stereo (press NAME and use the other buttons to enter a name ENT/PLAY when done). A name such as "HUGHS SAMPLE" will mean nothing in a month's time, while "HUGHS BASS" will at least tell you what kind of instrument the sample refers to. The reason why 2 fewer characters are allowed in a stereo sample is that the S1000 automatically adds "-L" and "-R" to the two sample names when creating a sample, and any characters you add in the 11th and 12th positions will automatically be overwritten. Now COPY the NEW SAMPLE to your work area with the name you've just entered. The "monitoring program" can be set to either MONITOR or a program name. This enables you choose what sound will be heard when you press ENT/PLAY button. Usually, you should set this to MONITOR. While we're in this page, let's look at the other facilities provided. In addition to access the REC1, REC2, ED.1 and ED.2 pages (of which, more later), you can also copy, rename, or delete the chosen sample (as displayed on the top line) from memory. Note that these three last operations do not affect the samples as stored on disk. If you delete a sample from memory, this will not delete it from disk. Of course, if you have not previously stored a sample to disk before deleting it from memory, that's the end of your sample! To copy a sample to another area of memory, use the NAME button to enter a new name (and then confirm it with the ENT/PLAY button). Then press the COPY button. A copy of the original sample will now be stored in memory under the new name. If there is not enough memory to store the new copy, the display will show this when you press the COPY button. Renaming follows the same procedure - enter a new name, and then press the REN button. The original sample will still be there in the same place in memory, but under a new name. Pressing the DEL.
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Version 2.0 89/11
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