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I was so happy that the owner's manual was available. It is well written and helped me to use the radio/CD player/recorder without problems. Thanks for making it available.
Irene Lambert
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Excellant!!! Very quick and easy....Best $4.99 I have spent in a very long time..
I highly recommend this.
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Thanks so much for the Owner's manual for my Sony PS - FL1. I had purchased the turntable off of eBay. It came in and looked great. Packed well and appeared to be great. I balanced and aligned the tone are and hooked it up. When trying to play a record the tone are would move to the right place and just before it would drop to play it moved back off the edge of the record before touching down. I searched the net for an answer to this issue. No luck. Then I purchased the owners manual and sure enough there was a place to adjust where the stylus touched down. That adjustment solved the problem and saved me a $35 feet to have the player checked out. The manual is well written and easy to understand. It is a must have for anyone with this front loading Sony turntable.
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Some years back I pruchased a Sansui G-9000. I had it cleaned up and a problem with the left channel repaired. When I got it back I hooked it up to my tape decks, turn tables, TV and it played great. The only thing I was not really satisfied with was the performance of my Graphic Equalizer. I purchased this owner's manual had poured myself a cup of coffee. The manual is well organized and written in plain language. It also contained the solution to my dissatisfaction. By using the preamp connections coupled I was able to run everything through my graphic equalizer and now enjoy the full potential of my complete system.
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An excellent service for the price, however, it would also have been handy if the troubleshooter pages were included. The manual is only sent in the language of your country, thus it looks as though there are some pages missing. Otherwise highly recommended.
s5000/ s6000
RECORDING SAMPLES FOR USE WITH A PLAYSHEET
NEW FEATURES
No special requirements. However, as they are always played out on C3 within the playsheet, it�s probably best to record everything at C3.
CREATING PROGRAMS FOR USE WITH A PLAYSHEET
Because the playsheet is only playing one note (C3), multi-sampling is not an issue and multiple keygroups need only be used when stacking samples on top of each other. For a simple sound effect, just one keygroup spanning the entire keyboard range with the one sample it need be used. Alternatively, you could set the keygroup�s keyspan to C3 - C3. As mentioned, ideally, all samples should be recorded on C3 so that they play at their proper pitch. If you are loading existing samples from disk and they are playing at the wrong pitch, they should be edited in EDIT SAMPLE to have an original pitch of C3. Of course, alternatively, you can always re-tune them within the program itself but this means that every program that uses XYZ sample needs to be retuned - if XYZ sample is tuned in EDIT SAMPLE to C3, any program that uses won�t need to be tweaked. And talking of tuning, a program can contain stacked keygroups and these may be detuned against each other for a variety of effects. For example, create an instant flange effect simply by stacking a sample on top of itself and using keygroup or zone fine tune to set the depth of the effect or create dramatic thunder cues by layering three thunder samples on top of each other, detuning two for a flange effect and tuning one down an octave to add menacing rumble. The sound design fun doesn�t stop there! Use the amplitude envelope to create fade in and fade outs or to crossfade between one cue and other. You can use the filters to create dramatic tonal changes - for example, use a bandpass filter to create a telephone quality voice effect. Samples may also be panned anywhere in the stereo image for wide stereo effects - you can even modulate pan to move a sound around. Samples may also be routed to individual outputs so that they may be balanced and effected on an external mixing console. All this and you haven�t even touched the EB20 effects yet!
CREATING A MULTI TO USE AS A PLAYSHEET
Creating a multi for use as a playsheet does not have any special considerations other than only the first ten parts are used. Apart from that, parts (which will be cues in the playsheet) can be mixed, panned, sent to individual outputs, tuned, etc., as normal.
Version 1.30
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