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Having purchased a 1994 Kenwood music system from a Charity shop in 2013 (it was a high end product in its day), I found myself not quite knowing where to plug in what, and how to do this, that and the next thing. I needed a Manual, and after failure with another online 'Manual provider' I found Owner Manuals dot com. Well, I wasn't sure, but it was only $5, and if things didn't work out, I wouldn't have lost much...
But things DID work out. After paying my childrens inheritance money, $4.99, I was sent a Manual for my Kenwood System very quickly. Alas, it was in German, and being Scottish, I could not read it or get my system in order from it...a rapid email to them brought the English Manual in short order, and my retro-system was and IS up and running in it's regulation settings.
I am very grateful to http://www.owner-manuals.com for their quick service and for even having such an obsolete Manual in the first place! If you need a Manual for ANYTHING, try here first. I wouldn't be surprised if I bought a 1928 Marconi radio, and got the user Manual for THAT here too!
Top marks.
John Copeland
Glasgow
Scotland
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I was so happy that the owner's manual was available. It is well written and helped me to use the radio/CD player/recorder without problems. Thanks for making it available.
Irene Lambert
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Excellant!!! Very quick and easy....Best $4.99 I have spent in a very long time..
I highly recommend this.
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Thanks so much for the Owner's manual for my Sony PS - FL1. I had purchased the turntable off of eBay. It came in and looked great. Packed well and appeared to be great. I balanced and aligned the tone are and hooked it up. When trying to play a record the tone are would move to the right place and just before it would drop to play it moved back off the edge of the record before touching down. I searched the net for an answer to this issue. No luck. Then I purchased the owners manual and sure enough there was a place to adjust where the stylus touched down. That adjustment solved the problem and saved me a $35 feet to have the player checked out. The manual is well written and easy to understand. It is a must have for anyone with this front loading Sony turntable.
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Some years back I pruchased a Sansui G-9000. I had it cleaned up and a problem with the left channel repaired. When I got it back I hooked it up to my tape decks, turn tables, TV and it played great. The only thing I was not really satisfied with was the performance of my Graphic Equalizer. I purchased this owner's manual had poured myself a cup of coffee. The manual is well organized and written in plain language. It also contained the solution to my dissatisfaction. By using the preamp connections coupled I was able to run everything through my graphic equalizer and now enjoy the full potential of my complete system.
4
OPERATION
StudioProjects
C1 Using a male to female 3-pin XLR cable, plug microphone in to gain device (preamp, mixing console, etc.), making sure that +48-volt phantom power is active and gain is not at a level sufficient to cause ear-splitting feedback through monitor speakers. Address microphone from the side (not the top of the grill) above the SP logo badge. If bass cut is required, select one of two featured high pass filters. 150Hz setting will attenuate low frequencies by 6dB/ octave starting at 150Hz. 75Hz. Setting will attenuate low frequencies by 6dB/octave at 75Hz. The �pad� switch reduces the signal level between the capsule and the circuitry. Engage -10dB or -20dB pad for very high sound pressure levels, which may otherwise overload microphone circuitry, causing distortion. C3 Using a male to female 3-pin XLR cable, plug microphone in to gain device (preamp, mixing console, etc.), making sure that +48-volt phantom power is active and gain is not at a level sufficient to cause ear-splitting feedback through monitor speakers. Address microphone from the side (not the top of the grill) above the SP logo badge. If bass cut is required, select 150Hz high pass filter. The �pad� setting reduces the signal level between the capsule and the circuitry. Engage -10dB pad for very high sound pressure levels, which may otherwise overload microphone circuitry, causing distortion. Use the three-way switch on the front of the C3, below the SP logo, to adjust the directional characteristics of the microphone between omnidirectional, cardioid and figure of eight: � Omnidirectional (O-shaped nomenclature): Sound from all directions is picked up by microphone without any side or rear attenuation. � Cardioid (Heart-shaped nomenclature): Some attenuation of sound occurs on sides and rear of microphone. � Figure of eight: Very significant attenuation of sound pickup on sides of microphone. Front and rear of microphone pick sound up equally, but 180° out of phase from one another. T3 Plug power supply into ac receptacle. Connect 3-pin male to female XLR cable to output jack on front of power supply. Use included 7-pin XLR cable to connect microphone to power supply. Ensuring that gain device (mixing console, preamp, etc.) is not at a sufficient level to cause ear-splitting feedback. Turn on microphone power supply. Address microphone from the side (not the top of the grill) above the SP logo badge. *Note � Power supply has 110v/240v switch. Ensure that switch is set to proper AC voltage for your region. This switch is set at the factory at the time of manufacture according to region, but a microphone purchased used, for instance, may have the incorrect voltage setting. *Another note � The presence of or lack of +48- volt phantom power will not affect operation of T3.
www.studioprojects.com
C4�Using a male to female 3-pin XLR cable, plug microphone in to gain device (preamp, mixing console, etc.) of course, all the while making sure that +48-volt phantom power is active and gain is not at a level sufficient to cause ear-splitting feedback through monitor speakers. Address microphone towards the grill mesh in the top of the microphone. Included with all C4 microphone pairs are two sets of capsules: two cardioid ( the ones with the holes around the circumference) and two omnidirectional (no holes around circumference). The threaded capsules may be changed by simply unscrewing one capsule and screwing another on to the amplifier body. Since the threads are delicate, take particular care not to �cross thread� the capsules during installation. It will not harm the microphone to change the capsule while still plugged in, but it will make a horrendous noise, so it is always best to perform this operation while the mic is unplugged, or the mic level is at minimum. If bass cut is required, select one of two featured high pass filters. 150Hz setting will attenuate low frequencies by 6dB/octave starting at 150Hz. 75Hz. Setting will attenuate low frequencies by 6dB/octave at 75Hz. The �pad� switch reduces the signal level between the capsule and the circuitry. Engage -10dB or -20dB pad for very high sound pressure levels, which may otherwise overload microphone circuitry, causing distortion. LSD2 Using the included 7-pin to dual 3-pin XLR breakout cable, plug microphone into 2channel gain device (preamp, mixing console, etc.), making doubly sure that +48-volt phantom powers are active and gain is not at a level sufficient to cause ear-splitting feedback through monitor speakers. Address microphone from side (not the top of the grill). The switches used to control the upper capsule are located on the front of the microphone above the SP logo badge, while the control switches for the lower capsule are found on the rear of the mic. If bass cut is required, select 150Hz high pass filter. The �pad� setting reduces the signal level between the capsule and the circuitry. Engage -10dB pad for very high sound pressure levels, which may otherwise overload microphone circuitry, causing distortion. Adjust upper grill by grasping and turning. It�s that simple! Further application information regarding the LSD2 can be found at the Studio Projects website: www.studioprojects.com/downloads.html
5
TROUBLESHOOTING�TIPS
No Sound Whatsoever: All C-series microphones require external voltage in order to operate. Verify that +48-volt phantom power (C1,C3,C4 & LSD2) is present. For T3, ensure that power supply is properly connected and power is on. Still No Sound (C1,C3,C4 & LSD2): Make sure microphone cable is XLR male to XLR female and connect only to inputs labeled �Mic In�, or �Microphone�, etc. The Back Of My C3/T3 Sounds Different From The Front When Set To Figure Of Eight: Are you monitoring with headphones while talking into the mic? If so, the back of the mic will sound strange. This is because the rear diaphragm of the microphone takes the sound of your voice and flips it 180° out of phase. Meanwhile, the lower frequency range of your voice travels in phase along your jaw line to your ears. When the out of phase signal from the headphones meets the in-phase signal from your ears, the two signals are phase cancelled. Since this effect only occurs during the conditions described above, it will not affect recordings.
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